Black Elk Speaks
by Scott Kayla Morrison

    Two Choctaw women and I went to see the play "Black Elk Speaks" performed in Ada, Oklahoma, in March.  We were just friends having a girl's day out and thought this would be a pleasant way to spend a Sunday afternoon.  Boy, were we wrong!
  
The "message of unity of all creation is one bound to have a profound effect on all who experience it" was promised by the play's promotion.  The effect was profound alright, but the message of unity never materialized.
  
We left at intermission.  By this time, we had been through more massacres and atrocities than we could stomach.  After consulting the program and realizing how many more massacres and atrocities we had to endure, we opted for a Braum's ice cream.  It would sit better than more slaughter of Indian people.
  
Over our sundaes, we discussed the effect the play had on us.  It depressed all of us.  Sandy said she could relate to the mothers whose children were killed, having a small child herself.  Joyce said it was just depressing and perpetuated the victimization mentality of Indian people.  As a counselor for battered women, she recognized the devastation of the psyche inflicted by victimization mentality.  I agreed.
  
The play portrayed Indians as the victims of the white man's greed.  That may be true 100 years ago, but now white men are the victims of Indian greed.  Portraying massacre of the Navajo, Comanche, Kiowa, etc., serve to inflame racial tensions and keep the races separate for something that happened before any of us were born.
   
Sponsors of the play were the Choctaw and Chickasaw Nations of Oklahoma.  Many of the 70 people in the audience were tribal employees transported to Ada on tribal buses.  You have to question the motives of the tribes for sponsoring this type of play.  Well, okay, no "you" don't, but as a Choctaw member, I do.
  
Being jaded from years of interaction with the Choctaw Nation, I cannot believe their motive for bringing this play to Ada was purely innocent.  For one thing, the play was based, or so I thought, on the John G. Neihardt book "Black Elk Speaks."  Black Elk was a Sioux holy man, and the book chronicled Sioux religious practices.  Excuse me, but why would the Choctaw Nation want to bring Sioux religion to Oklahoma?
  
The intent was to massage the collective white guilt to squeeze a few more bucks for the tribe.  "We are a poor pitiful people who need more handouts.  We deserve it because you slaughtered some Navajo at some point."  That was the effect the Choctaws wanted to instill in the audience.  And it worked.  If I were white, I would sure be feeling guilty after the first act.  I'd have been ready to sign over everything I own to the first Indian what crossed my path after the second act--if I had stayed!
  
The play did not deal with Sioux religion at all.  In fact, Sioux were barely mentioned in the first act.  They would have been heavily featured in the second act when they defeated Custer.  But we would have sit through more Arapaho and Wichita slaughter before we got there in the second act.
  
Or maybe I missed the point.  Maybe being a victim has become a religion among Indian people.  Deliver us, dear Lord, if that is the case.